Aarón Salabarrias Valle
San Juan, PR, 1964
San Juan, PR, 1964
Painter, printmaker and designer, photographer, installation artist. Initially, Salabarrías studied at the University of Puerto Rico at Mayagüez, where he began a major in engineering, but he left that institution to study art at the Puerto Rico School of Plastic Arts in San Juan. There he studied printmaking under Manuel García Fonteboa and earned a BFA in printmaking in 1990. He pursued further studies at the Pratt Institute in Brooklyn, where he obtained an MFA in 1996. He has worked as a printer in graphic-arts studios since 1990, and he has taken part in numerous exhibitions and events locally and internationally. Though he began working in traditional media, his recent installations tend more toward Kitsch, and they reflect the influence of the “ready made.” He uses humor and irony to depict contemporary consumerism, on the one hand, and the playful element of life, on the other, using store-bought images or objects, often toys made of plastic or rubber.
Using materials obtained from plastic and chemical compounds; rubber, resins and acetates, my work alludes to the replacement of the noble material by the artificial. Reflection of a consumerist society carried away by the impulse of a sale and consumption, turning the appearance of their habitat into kitsch.
Many of these objects are toys for children because of the innocence and psychology they embody and represent and the different meanings these have for adults. These objects are transformed when I put them before the spectator and change them into sublime objects, creating adverse dialogue situations between the objects and the individual, the significance they have for the spectator.
My proposal is a comment of everyday life which corresponds to time and space. It’s a hybrid blend of humor and irony with unnoticed situations of events that occur around us, reflection of who we are, and these in turn identify us as a nation and culture. These objects, which are characteristic of our current times, I detach them from their context and present them differently from their handling by way of installations or photographs where the individual pictured assumes the attitude desired by him, as well as the selection of the objects to be used. The photographs are printed on vinyl or projected by slides as part of installations or individually.
Aarón Salabarrías Valle, May 2006
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Catálogo, "Los tesoros de la pintura puertorriqueña",San Juan, Puerto Rico, Museo de Arte de Puerto Rico. 2001.
Auerbach, Ruth. “Adán y Eva Ya No Viven Aquí, Anymore”. Catálogo, Foto Fest 2002, Houston, Texas, Estados Unidos, 2002.
Castellote, Alejandro. “Mapas abiertos”. Catálogo. Mapas abiertos, fotografía latinoamericana, Estados Unidos, 1991-2002.
"Exhibición itinerante: Barcelona y Madrid". Ludwerg Editores, Noviembre 2003.
Cullen, Deborah . “State of Grace”. Catálogo Here & There, El Museo del Barrio, Nueva York, Estados Unidos, 2001.
Peter Doroshenko. “Metropolis”. Catálogo, Art Chicago, Estados Unidos, 2002.
Martínez, Javier. “De humor y sonrisas plásticas”.Catálogo, Del Cielo a la Tierra, Museo de Las Américas, San Juan, Puerto Rico, 1999.
“Supervivencia Después del Arca”. Catálogo, Después del Arca... Galería de Arte Universidad del Sagrado Corazón, Santurce, Puerto Rico, 1997
“El Dios de las flores de asfalto". Catálogo, Ay, Dios Mio!, Luigi Marrozzini Gallery, San Juan, Puerto Rico, Noviembre 1995.
Morgan, Robert. “Diversity”. Catálogo, Diversity, Artopia Hugo De Pagano Gallery, Nueva York, Estados Unidos, 1997.
Pérez Ruiz, José Antonio. “Huellas artísticas de Aaron Salabarrías”. Catálogo, Nada, nada…por nada, La Pintadera, Hato Rey, Puerto Rico, 2003.
Roulet-Hernández, Laura. “Puertoricanische Kunst Heute”Catálogo Carribean Art Today, Kassel, Alemania sf.
Zamudio Taylor, Victor & Peter Doroshenko. “MEGA-Fino”. Catálogo Feria de arte, Art Miami, Estados Unidos, 2001.
Zaya, Octavio. “Trasatlántico: Diseminación, Cruce y Desterritorialización”. Catálogo, Trasatlántico, CAAM, Islas Canarias, España,1998.
Álvarez Lezama, Manuel. “Los artistas que se establecen en la década del 90: Nuevas miradas, nuevos retos”.
“Aaron: Del Cielo a la Tierrra”. Periódico El Nuevo Día, (San Juan, PR), 6 de julio de 1999.
“The aesthetic warriors”. Periódico The San Juan Star,(San Juan, PR), 15 de octubre de 1995.
Colón Camacho, Dorren.“ El pasado: germen en Aaron Salabarrías”. Periódico El Nuevo Día, (San Juan, PR), 5 de septiembre de 1992.
Cotter, Holland. “Tourist, Jungle Sprites and the Logic of Dreams on Fantasy Island”. Periódico The New York Times, (Nueva York, EU), 9 de marzo de 2001.
De Cuba, Natalia. “Salabarrías to exhibit in Canary Island”. Periódico The San Juan Star,(San Juan, PR), 16 de marzo de 1998.
Dunlap, William. “The Island of Reflected Images” Periódico The Washington Post. (Washington, EU), 18 de febrero 2001.
García Fonteboa, Manuel. “De ángeles, ilusiones y desengaños: Una lectura de las imágenes de Aaron Salabarrías” Periódico Claridad, (San Juan, PR), 7 de agosto de 1992.
Rodríguez, Guadalupe. “ARCO: el arte como encuentro”. Periódico El Vocero, (San Juan, PR), 25 de marzo de 1998.
Rodríguez, Jorge. “Del Cielo a la Tierra”. Periódico El Vocero, (San Juan, PR), 10 de julio de 1999.
“Aaron Salabarrías… en busca de su justa perspectiva”. Periódico El Vocero, (San Juan, PR), 9 de febrero de 1999.
Rodríguez, Myrna. “Images provide a good professional start”. Periódico The San Juan Star,(San Juan, PR), 25 de agosto de 1992.
Vázquez, Lourdes. “Tantos Corazones”. Periódico El Nuevo Día, (San Juan, PR), 22 de mayo de 1994.
López, Ileana. “Ay, Dios Mío!”. Revista.Caras, (San Juan, PR), Octubre, 1995.
Monclava, Héctor Ivan. “Aaron Salabarrías”. Revista Poliéster, (Animal, México). Primavera 1997. vol. 6 núm. 18.
Zaya, Lorna. “Aaron Salabarrías”. Revista Noctámbulo, (San Juan, PR),, junio 2000.