Enoc Pérez
San Juan, PR, 1967
San Juan, PR, 1967
Painter and draftsman. Pérez earned his bachelor’s degree from the Pratt Institute in New York in 1990 and went on to pursue a master’s degree at Hunter College, from which he graduated in 1992. He lives in New York, and has had countless solo and group exhibitions in Puerto Rico, the United States, and Europe, such as his one-man show in 2006 at the Mitchell-Innes & Nash Gallery in New York. The exhibit, titled New York, presented images of emblematic New York buildings such as the United Nations building and the TWA terminal at Kennedy Airport. In earlier work, he had exhibited images of buildings he had visited during his personal travels, such as hotels, sometimes somewhat run-down, as a symbol of nostalgia. His work has captured the attention of local and international curators and collectors for its parallels to the technique of the monotype-print and its use of photography as a point of departure for commenting on the predominance of technology in the world and in contemporary art.
My method came out of a preoccupation with creating paintings that would make sense historically (at least in my mind) with New York painting. When I started to paint in New York, and still today, I felt that Andy Warhol's paintings were important to artists in New York. So I thought that if I somehow used printmaking in my process, I could have some sort of relationship with history. Then I started to make these drawings and would transfer them to canvas by adding oil paint on the back and then redrawing them on to the canvas, kind of like carbon paper—a printmaking process that I still use today. One of the interesting things about the method is that when layered enough, it produces a sense of decay, like real life. In a way, it contradicts the sense of optimism that the buildings embody. Or my own sense of optimism, even. Maybe making paintings today comes through as an act of optimism since painting has been declared dead almost every year for decades. And that desire to move forward with it may parallel the aspirations of this type of architecture.
Source: Byrnes, Mark. Enoc Perez: The Andy Warhol of Architecture, Dwell, January 16, 2013
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Enoc Perez. Assouline, 2013, pp. 140.
Perez, Enoc. Gilles Mendel by Enoc Perez, J. Mendel, 2013, pp. 70.
Deluxe. Faggionato Fine Art, 2006.
Deluxe Limited Edition. Faggionato Fine Art, 2006.
Enoc Pérez. Collezione Maramotti, Italia, 2008.
Enoc Pérez. MOCA North Miami, Florida, Estados Unidos, 2007.
Enoc Pérez. Snoeck Germany, Alemania, 2005.
Interconexiones: Lecturas Curatoriales de la Colección del MAPR, Museo de Arte de Puerto Rico, San Juan, Puerto Rico, 2012.
Now’ Utopia. Corcoran Gallery of Art, Washington DC, United States, 2012.
Paris Mon Amour. Enoc Perez Studio, Nueva York, 2013.
Suite 720. Published by Faggionato Fine Art, Londres, Inglaterra, 2008.
Tender. Snoeck Germany, Alemania, 2008.
The Good Days. Acquavella Galleries, Nueva York, Estados Unidos, 2012.
Utopia. Acquavella Galleries, Nueva York, Estados Unidos, 2012.
Boucher, Bryan. “Enoc Perez in 3D”. Art in America, Enero 2013.
Byrnes, Mark. “Enoc Perez: The Andy Warhol of Architecture”. Dwell, Enero 2013.
Corbett, Rachel. “Enoc Perez Previews his New Picasso-Inspired Series”. Artspace, Agosto 2013.
Lobrasbe, Shireen. “New York - Enoc Pérez “The Good Days”, at Aquavella Galleries”. ArtObserved, Enero 2013.
Wallis, Stephen. “Enoc Perez’s Latest Work”. Architectural Digest, Noviembre 2013.
“Artist Enoc Perez Paints the Great Cities That Never Were”. Daily Beast, 26 de noviembre de 2013.
“Bookshelf: Work of an Artist”. The New York Times (Nueva York, EEUU), 17 de noviembre de 2013.
“Seeing Things / Reaching for the Sky”. The New York Times Magazine (Nueva York (EEUU), 5 de Julio de 2012.
“Skyline Views: Artists Scale the Heights”. The Wall Street Journal (Nueva York, EEUU), 22 de junio de 2012.
“The World of Gilles Mendel, According to Enoc Perez”. The New York Times Style Magazine (Nueva York, EEUU), 16 de noviembre de 2013.