Julio Tomás Martínez
Utuado, PR, 1878-1954
Utuado, PR, 1878-1954
Painter, architect, engineer and educator. Martínez began his art studies under Luis Pío Toro and Spanish painter Santiago Meana. He also studied engineering at the University of Puerto Rico in Mayagüez and architecture by correspondence. Martínez and his wife, writer and artist María Cadilla, established an art academy in Santurce. In Arecibo he worked as an engineer, architect, and painter. He was an innovator, a precursor of the Surrealists, and he became one of the few Puerto Rican painters of the early twentieth century to take up the contemporary idioms of his time. A tireless promoter of art, he exhibited in New York and was a member of such important societies as the American Artists Professional League, Audubon Artists, and the Society of Independent Artists. In 1998 the south lobby of the Capitol of Puerto Rico was named the Julio Tomás Martínez y Mirabal Gallery in his honor. His work, rarely of a local-color type, has been associated with Surrealism and Art Naïf, and is filled with symbols, allegories, parodies, and social critique, often in allusion to European Fascism and the local political scene.
"The artist’s gaze should not to be limited to the mere action of perceiving the existence of external things surrounding it as a photographic plate could when it receives the imprints of images. It should reach far beyond, as far as the intelligent observation, the penetrating exploration, inquisitive, of the things that surrounds him, to discover his soul, his intentions, his methods and then express them in his works."
Source: Julio Tomás Martínez, Prefacio, Álbum de arte, 1936
1906-1910
1904
1896-1897
1895
1936-1939
1929-1930
1923-1924
1919-1920
1916-1917
1906-1910
1905
1903
1953
1949
1947
1934,1938
1903
2007
1952
1950
1941
1936
1935,1936, 1937
1927
1927
1921
1920
1898
Hermandad de Artistas Gráficos de Puerto Rico. Puerto Rico Arte e Identidad. San Juan, P.R.: Editorial de la Universidad de Puerto Rico, 1998.
Los tesoros de la pintura puertorriqueña. Museo de Arte de Puerto Rico. San Juan, PR, 2000.
Contexto puertorriqueño: del rococó colonial al arte global, Museo de Arte de Puerto Rico, San Juan, Puerto Rico, 2007