Amanda Carmona Bosch
Río Piedras, PR, 1956
Río Piedras, PR, 1956
Painter, draftswoman, photographer and video-editor. Studied at University of Puerto Rico with Luisa Geigel and Myrna Báez. After graduating in 1978, she moved to Italy and later to Austria after being granted a scholarship to study abroad from Instituto de Cultura Puertorriqueña. While there she associated with Czech painter Tamara Horokova, sculptors Edwald Maurer and Gehardt Moswitzer and writer Peter Flod. She remained in Austria for seven years, where she had several exhibitions. She completed a Master’s degree in the United States at the University of Massachusetts in Amherst. In 2003 she had an exhibition spanning 30 years of her "Oriented" series at Museo de Las Americas in San Juan, Puerto Rico. In 2004 she won the Award for Best Individual Exhibition, "Rojo Profundo", from the International Association of Art Critics, Puerto Rico Chapter, San Juan, Puerto Rico. She has exhibited her work in Germany, Austria, Spain, United States, Mexico and Puerto Rico. Her work leans towards abstraction.
"The theoretical basis of my work is Modernism in the sense of its exploration of the formal elements of art, its infinite capacity for abstraction and revolutionary study of the psychology of design and workings of human perception.
More specifically, my intention has been to combine automatic surrealism understood, as Roberto Matta expressed it at the time, with the possibilities opened up by Cubism in terms of space/time representation.
The subject, what happens in each painting, ranges from re-interpretations of traditional themes in the history of oil painting, whether religious, mythological or of the Court, to subjects from everyday life, Puerto Rican motifs and women's issues. In any case, I have tried to express a vision of female sensitivity towards the issue.
It is a work where the psychological representation of the human figure is the main theme. This representation is achieved by visual analogies, my personal contribution to the history of visual language.
However, the interpretation of the observer is open to endless possibilities. The images are as symbolic riddles, where the attentive observer can "read" the forms, infer, intuit or interpret them as you interpret your own dreams”.
Amanda Carmona Bosch
July 7, 2001
1998
1979
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2010
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1995-1998
1995-1998
1994-1997
1990-1993
1986-1990
2013
2011
2003
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1985
1984
2019-2020
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1979
Ramos Borges, Melissa. “Manipulaciones o la recodificación del medio”, Proyecto Local 270, San Juan, 2015.
Bravo, Laura. “Optika2: construyendo historias con imágenes. Exposición sobre Narración Visual”. Galería Chardón, Universidad de Puerto Rico, Recinto de Mayagüez, Mayagüez, Puerto Rico, 2007.
Moreira, Rubén. “La Casa del Arte: Del pasado al futuro”. La Casa del arte, San Juan, Puerto Rico, 2005.
Pérez Ruíz, José Antonio. “Amanda Carmona Bosch: Pensamiento y Acción”. Rojo Profundo, Museo de las Américas, San Juan, Puerto Rico, 2003.
“Abnormal Fobia Pigmentation comes to Herter Gallery”. The Campus Chronicle, University of Massachusetts (Amherst, MA), 31 de octubre de 1997.
Alegre Barrios, Mario. “Amanda y su pasión por el pincel”. El Nuevo Día (San Juan, PR), 6 de noviembre de 2003.
Alegre Barrios, Mario. “Galardones a la creación plástica”. El Nuevo Día (San Juan, PR), 17 de abril de 2004.
Cabañas, Ana María. “Amanda Carmona, una pintora puertorriqueña en Austria”. El Mundo (San Juan, PR), julio de 1985.
Galán, Eva V. “Óleos de Amanda Carmona: las dimensiones del alma”. El Ideal (Granada, España), marzo de 1993.
López Meléndez, Amable. “Amanda Carmona Bosch, Rojo Profundo: hasta las raíces de la luz”. Areíto (República Dominicana), 10 de enero de 2004.
Pérez Ruíz, Antonio. “Ante un cuarto de siglo de coleccionismo”. El Vocero (San Juan, PR), 30 de abril de 2005.
Rivas, Maite. “Vistazos de color y figuras humanas”. El Nuevo Día (San Juan, PR), julio de 1985.
Rodríguez, Jorge. “Plástica al son de la San Sebastián”. EL Vocero (San Juan, PR), 12 de enero de 2004.
Rodríguez, Jorge. “Premios AICA a la excelencia”. El Vocero (San Juan, PR), 19 de abril de 2004.
Rodríguez, Myrna. "Carmona Exhibits at the League”. The San Juan Star (San Juan, PR), agosto de 1985.
Scheuer, Grete. “Malerwochen auch in der Oststeier”. Sud-Ost Tages Post (Graz, Austria), noviembre de 1984.
T.S. “Visionen von Angst und Shrecken”. Sud-Ost Tages Post (Graz, Austria), mayo de 1984.
Wells, Bonnie. "Meeting the visiting art’…ists”. Amherst Bulletin (Amherst, MA), 3 de mayo de 1996.
Rodríguez Valles, Nora. “De viaje por rasgos”. Visión Doble (Revista Online), 15 de Noviembre de 2013. www.visiondoble.net
Torres Arzola, Raquel. “Viva la resistencia: Women artists in Puerto Rico and outside”, August 9, 2015. https://arteypensamientocontemporaneo.wordpress.com/2015/08/09/viva-la-resistencia-women-artists-in-puerto-rico-and-outside/