Juan Sánchez
New York, USA, 1955
New York, USA, 1955
Graphic artist, painter, assemblage artist. Sánchez earned a BFA at the Cooper Union in New York and a master’s degree at the Mason Gross School of the Arts, Rutgers University, in New Jersey. He joined a group of Puerto Rican artists at the Boricua Workshop in New York and the photography workshop En Foco. In New York, where he lives and works, he has became a prominent community leader as well as a member of Puerto Rican nationalist movements such as the Comité Pro Libertad de los Nacionalistas, with which he worked as a poster designer and lecturer. His paintings are statements on the social, political, and cultural issues of his Puerto Rican heritage. Sánchez deals with the condition and identity of Puerto Ricans, religious syncretism, racial and gender discrimination, and particularly the struggle for Puerto Rico’s independence. Sanchez’ constructions combine photography, collage, drawing, and writing.
"To search for racial, cultural, social, and political definitions rooted in and arising from a hostile environment is a necessity in my creative process. To dig deep into the history of the Colonized and the Colonizers, and to take back what is rightfully ours, is part of the process..."
Juan Sánchez
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Hermandad de Artistas Gráficos de Puerto Rico. “Puerto Rico-Arte e identidad”, San Juan, Puerto Rico: Editorial de la Universidad de Puerto Rico, 1998.
Harper, Glenn. “INTERVENTIONS AND PROVOCATIONS: Conversations on Art, Culture and Resistance”, Albany: State University of New York Press, 1998.
Poupeye, Veerle. “Caribbean Art”, London: Thames and Hudson Ltd., 1998.
Betti, Claudia & Sale, Teel. “DRAWING: A Contemporary Approach”, Fortworth, TX: Harcourt Brace College Publishers, 1997.
Sullivan, Edward J. “Latin American Art in the Twentieth Century”. London: Phaidon Press Limited, 1996.
Wye, Deborah. “THINKING PRINT: Books to Billboards, 1980-95”, New York, NY: The Department of Publications, The Museum of Modern Art, 1996.
Silberstein-Storfer, Muriel & Jones, Mablen. “Doing ART Together: Discovering the Joys of Appreciating and Creating Art as Taught at The Metropolitan Museum of Artís Famous Parent-Child Workshop”, New York, NY: Harry N. Abrams, Inc. Publishers,1996.
Fusco, Coco. “English Is Broken Here: Notes on Cultural Fusion in the Americas”, New York: The New Press, 1995.
Cahan, Susan & Kocur, Zoya. “Contemporary Art and Multicultural Education”, New York, NY & London: The New Museum of Contemporary Art & Routledge, 1995.
Hobbs, Jack A. & Duncan, Robert L., “Arts, Ideas and Civilization, Icon Editions”, An Imprint of Harper Collins Publishers, 1994.
Goldman, Shifra N. “Dimensions of the Americas: Art and Social Change in Latin America and the United States”, London: The University of Chicago Press, LTD, 1994.
Berger, Maurice. “Modern Art and Society: An Anthology of Social and Multicultural Readings”, New York: IconEditions/ Harper Collins Publishers, 1994.
Rasmussen Waldo, Bercht, Fatima & Ferrer, Elizabeth. “Latin American Artists of the Twentieth Century”, New York: Harry N. Abrams, Inc., The Museum of Modern Art, 1994.
Lomeli, Francisco. “Handbook of Hispanic Cultures in the United States: Literature and Art”, Houston, Texas: Arte Publico Press, University of Houston, 1993.
Lippard, Lucy R. “Mixed Blessings: New- Art in Multicultural America”, New York: Pantheon Books, 1990.
Lippard, Lucy R. “Get The Message/: A Decade of Art for Social Change”. New York: E.P. Dutton, INC., 1984.
Contexto puertorriqueño: del rococó colonial al arte global. Museo de Arte de Puerto Rico, San Juan, Puerto Rico, 2007.
“Juan Sánchez.” Intergrafik, Berlin, Alemania, 1990, p. 226.
“Juan Sánchez: New Media Projections.” Lehigh University Art Galleries, Bethlehem, Pennsylvania, 2009.
“Juan Sánchez: Convicciones Grabadas”, Museo de Historia, Antropología y Arte, Universidad de Puerto Rico, Recinto de Río Piedras, San Juan, Puerto Rico, 2001.
Morales Blanes, Sandra. “Convicciones neoyoricans”. El Nuevo Día (San Juan, PR), 6 de mayo de 2001, pp. 76-77.
Paniagua, Tere. “Circuito neoyorquino”. El Nuevo Día (San Juan, PR), 30 de mayo de 1999.
AMERICA REVISTA, JUAN SANCHEZ: Ik ben in de eerste plaats kunstenaar by Luc Verheyen, Jaarrgang 22, nr 235, 1995/3.
Conde, Ivonne M. “Juan Sánchez Protesta desde el Lienzo”. Caras de Puerto Rico (San Juan, PR), Año 4, N.2, Febrero 1994.
Barradas, Efraín. “Mira, mira mira: Juan Sánchez, pintor neorican”. PLÁSTICA Revista de la Liga de Arte de San Juan, Año 15, Vol 1, Septiembre 1993.
Herzberg, Julia P. “Juan Sánchez”. Latin American Art, Vol. 3, No. 4, Diciembre 1991.
Canning, Susan. “Interview: Juan Sánchez”. ART PAPERS, Contemporary art in the Southeast, Vol. 14, No. 4 July/August 1990.
Fusco, Coco. “Rican/Structions”. Art in America, Vol. 78, No. 2 Febrero 1990.
Cañas, Dionisio. “Salsa, Celebración y Compromiso Social: La Pintura de Juan Sánchez”. La Fabrica del Sur, Revista Ilustrada, Núm. 3 Octubre 1990.