Dhara Rivera
Vega Baja, PR, 1952
Vega Baja, PR, 1952
Sculptor, installation artist, draftswoman, ceramicist. Rivera obtained a bachelor's degree in humanities from the University of Puerto Rico in 1971 and another in sculpture from the Pratt Institute in Brooklyn in 1979. In 1981 pursued independent studies at the Whitney Museum of American Art in New York City. She obtained her master’s degree in sculpture at Hunter College in NYC in 1983. Since 1977 she has taken part in a number of group and solo shows, and she received the Casa Candina Prize (with Carlos Collazo and Adriana Mangual) at the First Biennial of Contemporary Puerto Rican Ceramics in 1988. In 2000 she received a grant from the Joan Mitchell Foundation. She has represented Puerto Rico in events such as the Havana Biennial (2000) and in such art fairs as ARCO in Spain (1997). Her most recent work has explored the dichotomy between exterior and interior spaces, freedoms and boundaries, and the ambiguities between reality and imagination. In pursuing her artistic aims she skillfully combines elements to produce hybrids that point to multiple simultaneous references.
"The look, rather than form or topic, is what drives my work. A certain look: the one that stops at what is the boundary, the edge, that place or moment always elusive and uncertain. That precise point where one thing turns into its opposite, or simply into another thing. They always go together, fascination with the challenge of capturing the unattainable, by capturing a possible stable order, and the acknowledgement of the futility of the effort. Hence the underlying tension to the work.
Cosimo, from the Baron in the trees by Calvino, is my favorite representation of that evanescent point of view: fled to the trees for ever but with his social conventions in display. It is not, says Cosimo, what makes the novel. It is his in between status, self-imposed and invented, what matters, and what he questions. It is proposal and inquiry on itself.
I agree with his platform.
Therefore, my work, in particular, develops through the juxtaposition of dissimilar materials, in the creation of hybrid forms or in the construction of dialogic spaces receptive to game and the unexpected-controlled. In short, in everything where you can introduce the pursuit of the 'Fulcrum' phantom, of that imagined and impertinent middle."
Dhara Rivera, 2007
2001-2002
2002
1983
1980
1973
2004
1995 - 1999
1986-1988
1981 -1983
1980-1981
1974-1975
2019
2013
Río y respiro, (Parte I), Museo de Arte Contemporáneo de Puerto Rico, San Juan, Puerto Rico
2007
2005
2004
2003
2002-2003
2002
2001
2000
1999 - 2000
1999-2000
1999
1998
1997
1996
1995
1994
1993
1992
1991
1990
1989
1988
1987
1985
1980
1979
1978
2019
2017
2015
2004
2000
1998
1988
1983
1977
1974
Roulet, Laura. Contemporary Puerto Rican Installation Art, San Juan, Puerto Rico: Editorial de la Universidad.
Espacios en transición, Transición en espacios, Museo de Arte de Puerto Rico, San Juan, Puerto Rico, 1998.
Zayas, Antonio. Puerto Rico 00 (paréntesis en la ciudad), M&M Proyectos, 2001
“Amor y Terror de la Palabra: Obra en medios mixtos de Dhara Rivera.” Museo de Arte e Historia, San Juan, Puerto Rico, mayo 22-junio 22 de 1992.
“Dhara Rivera: El soterrani i el jardí.” Espai 13, Barcelona, España, 1999-2000.
“Inflexiones: Dhara Rivera.” Luigi Marrozzini Gallery, San Juan, Puerto Rico, mayo a junio de 1997.
“U/Topistas: estudio para proyectos contemporáneos.” Galería M&M art projects, San Juan, Puerto Rico.
Alegre Barrios, Mario. “Un espacio vivo.” El Nuevo Día (San Juan, PR), 22 de octubre de 1998.
Álvarez Lezama, Manuel. “Espacios paves the way for even greater shows.” The San Juan Star (San Juan, PR), 29 de octubre de 1998, p. 45.
Álvarez Lezama, Manuel. “Good installations enlighten, inspire and stimulate.” The San Juan Star (San Juan, PR), 24 de octubre de 1998, p. 42.
“Art to become brief spectacle at the Museo de Arte.” The San Juan Star (San Juan, PR), 23 de octubre 1998, p. 45.
“Bucabarú en el Condado.” El Nuevo Día (San Juan, PR), 2 de enero de 2000, p. 78.
“Dhara Rivera cuestiona el impacto ambiental en su nueva exposición Aves y agüeros”. El Nuevo Día (San Juan, PR), 17 de abril de 2021.
https://www.elnuevodia.com/entretenimiento/cultura/notas/dhara-rivera-cu...
De Cuba, Natalia. “Rivera excited over Museo de Arte exhibit.” The San Juan Star (San Juan, PR), 1998.
De Cuba, Natalia. Comienza ‘Espacios en Transición’.”” El Star (San Juan, PR), octubre de 1998, p. 45.
De Cuba, Natalia.”From a rough, unfinished real to art.” The San Juan Star (San Juan, PR), 1 de octubre de 1998, p. 51.
De Cuba, Natalia. “Step in, browse and step out.” The San Juan Star (San Juan, PR), 23 de octubre de 1998. p. 45.
De Cuba, Natalia. “Inusual exhibición en el MAP.” El Star (San Juan, Puertp Rico), 1 de octubre de 1998, p. 51.
“El sótano y el jardín.” El Vocero (San Juan, PR), 12 de octubre de 2000, p. E29.
Rodríguez, Jorge. “Exposición en el Museo de Arte de Puerto Rico.” El Mundo (San Juan, PR), 26 de octubre de 1998.
Rodríguez, Jorge. “Espacios en Transición.” El Vocero (San Juan, PR), 12 de octubre de 1998, p. E-16.
Bagarrán, Paco. “Espacios en Transición – Transición en espacio, un proyecto de Michelle Marxuach para el Museo de Arte de Puerto Rico.” Noticias de Arte/ Art Notes, Inc. (Nueva York, EU), num. 265,1998.