Ramón Miranda
San Juan, PR, 1982
San Juan, PR, 1982
Photographer. In 2008 he obtained his BA with a major in photography from the University of Puerto Rico, Río Piedras Campus. In 2012 he was awarded the Anna Louise Raymond Fellowship from the School of the Art Institute of Chicago, where currently he is pursuing his graduate studies. His work has been exhibited, both individually and collectively, in different cities across America, of which, Signos Vitales: Nuevas Adquisiciones del MAC 2009-2011, held at Museo de Arte Contemporáneo de Puerto Rico in 2011, and his participation at the 7th Biennial of Museo del Barrio in New York, in 2013, stand out. He is known by his photographic fresco technique of printing images on concrete.
What is the status of a change-oriented politics in a society that already considers itself to be progressive? My work addresses two groups of people: the first, an incidental audience within the current system of contemporary art, those in the art-as-luxury-goods business, and the second, a public I hope to cultivate and in whom I hope to foster a critical consciousness around questions such as those above. Thus, as a consumable object, my work confounds and withholds, yet for the second group, my work is more generous. My own knowledge, however, develops through the production of the work. By foregrounding this research process, I upset the hierarchy associated with traditional notions of didacticism and “go beyond” representation, as is frequently proclaimed by many contemporary practices, not for its own sake, but beyond to a space where a truly progressive politics might be enacted.
Ramón Miranda Beltrán
2012
2008
2013
2012
2008
2013
2012
2011
2010
2009
2008
2012
2011
2008
Nogueras, Celina. Frescos: 50 artistas puertorriqueños menores de 35. San Juan, PR: Muuaaa, 2010. pp. 350
“Ramón Miranda Beltrán”, Viota Gallery, San Juan, Puerto Rico, 2008.
Pérez Rivera, Tatiana. “Los 50 'frescos'”. El Nuevo Día (San Juan, PR), 18 de diciembre de 2010, pp. 80-81.