Nathan Budoff
Massachusetts, U.S.A., 1962
Massachusetts, U.S.A., 1962
Painter, draftsman, installation artist and translator. He received his BFA from the University of Massachusetts at Amherst and his MFA from the School of the Art Institute of Chicago. He traveled to Colombia in 1993 as a Fulbright Fellow before settling in San Juan, Puerto Rico in 1994. He has been invited as an artist to the University of Minnesota Duluth and for several symposiums in Medellín, Colombia. He has also been a finalist in several competitions, the Bienal de Dibujo in Tijuana and the Certamen Nacional de Artes Plásticas at the Museo de Arte Contemporáneo de Puerto Rico. His interest in books and narrative lead him to produce three artist's books from the late 90s until 2003 (each book was designed, printed and bound by hand in a limited edition). In 2002, he competed for a public art commission as part of the Puerto Rico Public Art Program. He was selected to create "Con las Cotorras", a Byzantine mosaic 42 feet in diameter, was installed in 2003 at the Martínez Nadal station of the Tren Urbano. He has been an artist-in-residence at the Ucross Foundation, the Vermont Studio Center, the American Academy in Rome and the Faculty Resource Network at NYU. His work has been included in group exhibitions in San Juan, Medellín, New York, Chicago, Minnesota, Santa Fe, Albuquerque, Miami and Orlando. He recently presented a solo exhibition, Designing Utopias at MADMi (San Juan, PR), and a two-artist exhibition, Breadth, Growth and Terrain (in collaboration with Frances Gallardo, at the Rollins Art Museum, Florida, USA). His works are part of the public collections of the Museo de Arte de Puerto Rico, the Museo de Arte Contemporáneo de Puerto Rico, the Museo de Arte de Ponce, and the Museo de Arte de Caguas as well as the Catherine T. and John D. MacArthur Foundation, the Boston Public Library and the New York Public Library. While developing his artistic work, Budoff works with language, translation and linguistic evaluation. His recent work imagines spaces and relationships, often unexpected, between flora and fauna.
Fractions of time, a fragment of space, the combination of factors that open a breach in our minds. My recent work is occupied by flora and fauna. I have used this visual language to refer to the fragility and interrelated nature of our life as part of the organism we know as Earth. We are in and of this world, as it is concurrently in and of us–flowing through and created by us. Different creatures are enlarged, given prominence in the works, relocated, and combined in unlikely spaces and groupings. They are drawing together for conversations and solidarity, or maybe passing in futility. It is about the investigation and a sense of appreciation and magic. There is a utopian urge in bringing together creatures that are seen as threatening, as well as in the development of spaces of negotiation. I also feel that there is an ominous quality to some of these impossible encounters. This tension between the possibility of encounter and the threat of disappearance is at the heart of what I try to communicate. In the service of these ends, the paintings and drawings combine various media, on raw and primed canvas —the making includes the hybridity that marks the imagery.
My work is influenced by playfulness, captured in Édouard Glissant’s Poetics of Relation. Glissant proposes that “…each and every identity is extended through a relationship with the Other.” (Glissant, Édouard, and Wing, Betsy. Poetics of Relation. Ann Arbor: University of Michigan Press, 1997, 11). In my recent work, the “Other” includes bees, octopuses, prairie dogs, meerkats, sharks, tigers, owls, bears, and elephants. There are no impenetrable boundaries, but a yearning toward communication.
Nathan Budoff, 2021
2017-2021
2007-2013
1989-1991
1982-1985
1982
1981
2004-present
2015
2009
2008
2006
2002
2000-2003
1994-2000
1997-2000
1994
1992-1993
2021
2019
2017
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2014
2013
2012
2007
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2018
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2011, 2012, 2013
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Toro, Ana Teresa. “Esa Efímera Cotidianidad”, El Nuevo Día, 10 de septiembre de 2013.
Bliss, Peggy Ann. “With Pets and Children,”, San Juan Daily Star, September 4, 2013.
Blasor, Lorraine. “Nathan Budoff’s New Artwork Aims to Embrace Wonderand Possibility,” Caribbean Business (San Juan, PR), 18 de agosto de 2005.
“Latin American Artists bring new flavor to the Northland,” Kyle Eller, Duluth Budgeteer News, December 5, 2004.
Alegre Barrios, Mario. “Budoff: Imagen y Palabra”. El Nuevo Día (San Juan, PR), 16 de enero de 2002.
“Nathan Budoff”. El Nuevo Día (San Juan, PR), 22 de abril de 2001.
Álvarez Lezama, Manuel. “La última noche de galerías”. El Nuevo Día (San Juan, PR), 8 de abril de 2001.
Rodríguez, Jorge. “Follajes y locuras”. El Mundo (San Juan, PR), 14 de octubre de 1999.
“Nathan Budoff”. El Nuevo Día (San Juan, PR), 14 de marzo de 1999.
Álvarez Lezama, Manuel. “Budoff’s Follaje…”. The San Juan Star (San Juan, PR), 26 de febrero de 1999.
Vázquez Zapata, Larissa. “Variaciones del Paisaje”. El Nuevo Día (San Juan, PR), 7 de febrero de 1999.
García Gutiérrez, Enrique. “Dos en un Museo”. El Nuevo Día (San Juan, PR), 28 de julio de 1996.
Álvarez Lezama, Manuel. “Budoff: The aesthetics of color”. The San Juan Star (San Juan, PR), 18 de julio de 1996.
Álvarez Lezama, Manuel. “Nathan Budoff”. The San Juan Star (San Juan, PR), 23 de marzo de 1995.
Richardson, Penelope. “Nathan Budoff: an Interview”. Colombia Post (Colombia), julio 1994.
Bulka, Michael. “On View: Chicago”. New Art Examiner (Chicago, IL), enero 1991.
García Benitez, Mariana. "Pop, Violencia y Pacto". Primera Hora (San Juan, PR), 13 de septiembre de 2007.
Rodríguez Saavedra, Dalila. "Budoff y su cinismo agudo y feroz". El Nuevo Día (San Juan, PR), 28 de septiembre de 2007.
Balsor, Lorraine. "Nathan Budoff’s New Artwork Aims to Embrace Wonder and Possibility". Caribbean Business (San Juan, PR), 18 de agosto de 2005.
"Culture Colors Latin Art Show", Duluth News Tribune, 9 de diciembre de 2004.
"Galería con rieles", El Nuevo Día (San Juan, PR), 12 de diciembre de 2004.
Mesa Mejía, Beatriz. "Imagen revivida de Pedro Nel". El Colombiano, 10 de agosto de 2004.
de la Serna Vázquez, Maria Arlette. “Nathan Budoff: We Have the Sky Above,”, Latin American Art, Num. 5, p. 42-45, abril-sept 2014.
Quiñones Justiniano, Sandra. “Nathan Budoff Invita a Mirar Hacia Arriba,”, Elite Magazine Puerto Rico, marzo-abril-mayo 2013.
Sanz de Arellano López, Isabel P. “Looking Up: Ilusionismo pragmático,”, Revista Imagen, San Juan, agosto 2012.
Michelle R.O. “Nathan Budoff mira hacia arriba,” , Conboca, 22 de septiembre de 2012.
Engman, Suzanna, “UPR Professor’s Mosaic Caps Train Station,” Inventio, 1:1, 2004.
"Nathan Budoff dirige creación de mural en Nuevo México", Art Premium, 3:15, julio-agosto 2006
Martínez, Maribella. "Nathan Budoff". Art Premium, 1:3, 2004
Jiménez, Ingrid. "Puerto Rico’s Programa de Arte Público". Art Nexus, #53, Abril-Julio 2004
Ortiz Declet, Bianca. “Retrato: Una reconstrucción ideal de memorias vivas”, Visón Doble, October 15, 2013.
Vélez, Pedro. “MNA Una Buena Muestra,” The Box Score, 2010.
"An Uneasy Trip: Budoff and Cristancho at the DAI", mnartists.org, enero, 2005.
Torres, María Elba. “Nathan Budoff y el Arte de Educar para el Arte”, Veo Veo, Bonita Radio (San Juan, PR), 17 de septiembre de 2013.