Pepón Osorio
Santurce, PR, 1955
Datos Biográficos
Creador de instalaciones, acciones e intervenciones artísticas y arte público. Se graduó del Herbert H. Lehman College en Nueva York con un bachillerato en sociología y se hizo trabajador social en el Bronx. Luego se unió a la bailarina, creadora de performances y coreógrafa Merián Soto para fundar el grupo Pepiatán, que se dedicaba al performance y a la danza moderna, incorporando ritmos caribeños a sus coreografías. A fines de los ochenta experimentó con objetos, ya fuera creados o encontrados, los cuales adornaba efusivamente. Ya en los noventa, se estableció como artista de instalaciones y acciones en las que interactuaba con la comunidad desde su génesis hasta pasada la experiencia. Ha recibido diversos premios, becas y reconocimientos, incluida la beca de la Fundación MacArthur. Sus temas giran siempre en torno a la identidad, la diáspora, el racismo, el machismo y otros problemas sociopolíticos que aquejan a las comunidades hispanas pobres en Puerto Rico y Nueva York. La superabundancia de elementos que utiliza en sus piezas ha hecho que algunos críticos denominen su estilo “barroco criollo”, aunque sus referencias son frecuentemente de carácter universal.
Declaración del Artista
"Mi principal compromiso como artista es devolver el arte a la comunidad"
Pepón Osorio
Formación
Educación
1985
- Maestría. Columbia University, Nueva York, Estados Unidos
1978
- Bachillerato. Herbert H. Lehman College, Bronx, Nueva York, Estados Unidos
1974
- Universidad Interamericana de Puerto Rico, San Juan, Puerto Rico
Experiencia Profesional
2003
- Obra comisionada. “I have a story to tell you…”, The Fairmount Park Art Association, Filadelfia, Pensilvania, Estados Unidos
1996-98
- Miembro. Centro de Estudios Puertorriqueños, Hunter Collage, Nueva York, Estados Unidos
- Socio. The New Museum, Nueva York, Estados Unidos
1995
- Performance. Familias Hostos Center For the Arts And Culture, Hostos Community College, Bronx, Nueva York, Estados Unidos
1992
- Performance. Historias en colaboración con Merián Soto, University of the Arts, Samuel S. Fleisher Art Memorial, Filadelfia, Pensilvania, Estados Unidos
- Performance. Historias en colaboración con Merián Soto, Festival Lee, Massachussets, Estados Unidos
- Performance. Historias en colaboración con Merián Soto, Serious Fun Festival en el Lincoln Center for the Performing Arts, Nueva York, Estados Unidos
1989-1993
- Performance Space 122, Nueva York, Estados Unidos
Exhibiciones
Individuales
2013
- Pepon Osorio: Where the Me Becomes We, Grounds for Sculpture, Domestic Arts Building, Main Gallery, Hamilton, Nueva Jersey, Estados Unidos
2012
- Resting Stops: an altenative pilgrimage, Kathmandu Contemporary Arts Centre, Patan Museum, Nepal
2011
- Pepón Osorio, Ronald Feldman Fine Arts, Nueva York, Estados Unidos
- Latinoa Visual Imaginary: Intersection of Word & Image, 516 Arts, Albuquerque, Nuevo México, Estados Unidos
2010
- Drowned in a Glass of Water, Former Gateway Chevrolet Dealership, North Adams, Massachusetts; Williams College Museum of Art, Williamstown, Massachusetts, Estados Unidos
2009
- Pepón Osorio, Galeria Lorenzo Homar, Taller Puertorriqueño, Filadelfia, Pensilvania, Estados Unidos
2008
- NeoHooDoo: Art for a Forgotten Faith, traveling exhibition, The Menil Collection, Houston, Texas, Estados Unidos
- Pepón Osorio, Mason Gross Gallery, Rutgers University, New Brusnwick, Nueva Jersey, Estados Unidos
2007
- How We Live Together, 27 Bienal de Sao Paulo, Brasil
- Badge of Honor: The Project, The Lighthouse, Filadelfia, Pensilvania, Estados Unidos
2006
- The Skowhegan School of Painting & Sculpture: 60 Years, Colby College Museum of Art, Waterville, Maine, Estados Unidos
2005
- Trials and Turbulences, Ronald Feldman Fine Arts, Nueva York, Estados Unidos
2004
- Trials and Turbulences: Pepón Osorio, An Artist in Residence at DHS, Contemporary Art Center of Virginia, Virginia Beach, Virginia, Estados Unidos
2003
- Face To Face, Bernice Steinbaum Gallery, Miami, Florida, Estados Unidos
2003
- Pepón Osorio, Ronald Feldman Fine Arts, Nueva York, Estados Unidos
2002
- The Bronx Celebrates: Pepón Osorio, Lehman College Art Gallery, Bronx, Nueva York, Estados Unidos
2000
- Pepón Osorio: Door to Door, Escuela de Artes Plásticas, San Juan; Museo de San Juan, San Juan; Museo de Arte Contemporáneo de Puerto Rico, San Juan; Museo de Arte de Puerto Rico, San Juan, Puerto Rico
1999
- Pepón Osorio: Transboricua, Museo del Barrio, Nueva York, Estados Unidos
- Fear and Denial & Las Twines, Ronald Feldman Fine Arts, Nueva York, Estados Unidos
- Yongworld Children’s Department, Nueva York, Estados Unidos
- Transboricua, The RISD Museum, Providence, Rhode Island, Estados Unidos
1998
- Las Twines, Hostos Art Gallery, Bronx Nueva York; Las Twines Storefront, South Bronx Nueva York, Estados Unidos
- Sala seis: Pepón Osorio, Museo Alejandro Otero, Caracas, Venezuela
- Pepón Osorio, Espacio Uno, Museo Nacional Centro de Arte Reina Sofía, Madrid, España
1997
- Pepón Osorio, Otis Gallery, Otis College of Art and Design, Westchester, California, Estados Unidos
- Badge of Honor, Center for the Arts, Yerba Buena Gardens, San Francisco, California, Estados Unidos
1996
- bi-lingua-lismo, Museo de Pedro Albizu Campos, Chicago, Illinois, Estados Unidos
- Pepón Osorio, Galerie OZ, París, Francia
- Badge of Honor, Ronald Feldman Fine Arts, Nueva York, Estados Unidos
- En la Barbería no se llora, Tyler Galleries, Tyler School of Art, Temple University, Elkins Park, Pensilvania, Estados Unidos
1995
- Project 5: Pepón Osorio- Badge of Honor, Store Front, Newark, Nueva Jersey, Estados Unidos
1994
- No Crying Allowed In the Barbershop, Real Art Ways, Hartford Connecticut, Estados Unidos
1993
- Seen of the Crime (Whose Crime?), Cleveland Institute of Art, Cleveland, Ohio, Estados Unidos
1992
- The Wake: AIDS in the Latino Community, Pennsylvania Academy of Fine Arts, Filadelfia, Pensilvania, Estados Unidos
- Historias, University of the Arts, Samuel S. Fleisher Art Memorial, Filadelfia, Pensilvania, Estados Unidos
1991
- Ole!, CU Art Galleries, University of Colorado, Boulder, Colorado, Estados Unidos
- Pepón Osorio: Con to’ los hierros, El Museo del Barrio, Nueva York, Estados Unidos
1985
- Ah, Great Power of God!, Hostos Center For the Arts and Culture, Hostos Community Collage, Bronx, Nueva York, Estados Unidos
Colectivas
2013
- Changing Scenes: Points of View in Contemporary Media Art, The Fabric Workshop and Museum, Filadelfia, Pensilvania, Estados Unidos
- NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, Nueva York, Estados Unidos
2012
- Interconexiones: Lecturas curatoriales de la colección del MAPR, Museo de Arte de Puerto Rico, San Juan, Puerto Rico
- Everyday Things: Contemporary Works from the Collection, Museum of Art, RISD, Providence, Rhode Island, Estados Unidos
2011
- Taking Shape, Ronald Feldman Fine Arts, Nueva York, Estados Unidos
2010
- Primera Trienal Internacional del Caribe, Museo de Arte Moderno, Santo Domingo, República Dominicana
- Drowned in a Glass of Water, Williams College Art Museum, Williamstown, Massachusetts, Estados Unidos
- Resurrectine, Ronald Feldman Fine Arts, Nueva York, Estados Unidos
2009
- Voces y Visiones, El Museo del Barrio, Nueva York, Estados Unidos
- Kréyol Factory: Exposition Des artistes interrogent les identités creoles, Parc La Villete, París, Francia
2008
- NeoHooDoo: Art for a Forgotten Faith, The Menil Collection, Houston, Texas, Estados Unidos
- P.S.1 Contemporary Arts Center, Long Island City, Nueva York, Estados Unidos
2007
- Contexto puertorriqueño: del rococó colonial al arte global, Museo de Arte de Puerto Rico, San Juan, Puerto Rico
- The Lighthouse “Badge of Honor: The Project”, Filadelfia, Pensilvania, Estados Unidos
- 20th Anniversary Exhibitions: Part Two, Selby Gallery Ringling School of Art and Design, Sarasota, Florida, Estados Unidos
2006
- The Skowhegan School of Painting And Sculpture: 60 Years Colby College, Museum of Art Waterville, Maine, Estados Unidos
2005
- Trials and Turbulence, Ronald Feldman Fine Arts, Nueva York, Estados Unidos
2004
- Face Off, Ronald Feldman Fine Arts, Nueva York, Estados Unidos
- Art by MacArthur Fellows, Carl Solway Gallery, Cincinnati, Ohio, Estados Unidos
- Trienal PoliGráfica de San Juan: América Latina y el Caribe, Instituto de Cultura Puertorriqueña, San Juan, Puerto Rico
2003
- Somewhere Better than This Place, The Contemporary Art Center, Cincinnati, Ohio, Estados Unidos
- Off the Record, The Skylight Gallery, Brooklyn, Nueva York, Estados Unidos
- American Dream, Ronald Feldman Fine Arts, Nueva York, Estados Unidos
2002
- Crisis Response, The RISD Museum, Providence, Rhode Island, Estados Unidos
2001
- A painting for Over The Sofa (That’s Not Necessarily a Painting), Bernice Steinbaum Gallery, Miami, Florida; Knoxville Museum of Art, Knoxville, Tennessee;Walton Art Center, Fayetteville, Arkansas; William Patterson University, Wayne, Nueva Jersey; Fuller Museum, Brockton, Massachusetts; Huntington Museum, Huntington, West Virginia; Lakeview Museum, Peoria, Illinois; University of Nebraska, Lincoln, Nebraska, Estados Unidos
- New Landmarks Public Art, Comunity, and the Meaning of Place, Pennsylvania Academy of Fine Arts, Filadelfia Pensilvania, Estados Unidos
2000
- SNAPSHOT, Contemporary Museum, Baltimore, Maryland, Estados Unidos
- 8 Artists in an Archive, Contemporary Arts Museum, Houston, Texas, Estados Unidos
1999
- Home Alters: Sacred Space in the Domestic Realm, John Michael Kohler Harts Center, Sheboygan, Wisconsin, Estados Unidos
- Urban Mythologies: The Bronx Represented Since the 1960’s, The Bronx Museum of Art, Nueva York, Estados Unidos
- To Rescue: Eight Artists in an Archive, International Center of Photography, Midtown, Nueva York; Miami Art Museum, Miami, Florida; Contemporary Arts Museum, Houston, Texas, Estados Unidos
1998
- Not Only for Art’s Sake, Rutgers University, New Brunswick, Nueva Jersey, Estados Unidos
- Puerto Rican Ecuation, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, Nueva York, Estados Unidos
1997-2000
- Do it, Traveling Exhibition by Independent Curators Inc., Nueva York, Estados Unidos
1997-1998
- American Stories Amidst Displacement and Transformation, Setegaya Art Museum, Tokio; Chiba City Museum of Art, Chiba; Fukui Fine Art Museum, Fukui; Kurashiki City Museum of Art, Kurashiki; Atorion, Akita Prefectural Cultural Hall, Akita, Japón
1997
- Second Johannesburg Biennale, Africus Institute For Contemporary Art, Johannesburg, Sur Africa
- Así esta la cosa: Instalación de arte objeto en América Latina, Centro Cultural Arte Contemporáneo, Ciudad de México, México
- As Time Goes By: History, Memory and the Sentimental, Whitney Museum of American Art, Champion, Stanford, Connecticut, Estados Unidos
- VI Bienal de Cuba, La Habana, Cuba
- International Contemporary Art Fair, Madrid, España
- TecnoSeduction, Cooper Union, Nueva York, Estados Unidos
1996
- American Kaleidoscope: Themes and Perspectives in Recent Art, Museum of American Art, Smithsonian Institution, Washington DC, Estados Unidos
- Sculpture Chicago: Reinventing the Garden City, Humbolt Park, Chicago, Illinois, Estados Unidos
- Legacy Legado: A Latino Bicentenial Reflection, The Old State House Hardford, Cincinatti, Ohio, Estados Unidos
- The Home Show II, Santa Barbara Contemporary Art Forum, Santa Bárbara, California, Estados Unidos
1995
- Archeological Urban Data, Whitney Museum of American Art, Champion, Stanford, Connecticut, Estados Unidos
- Dialog der Kulturen, Configura 2, Erfurt, Alemania
- Art at The Edge: Social Turf, High Museum of Art, Atlanta, Georgia, Estados Unidos
- Reclaiming Popular Culture, El Museo del Barrio, Nueva York, Estados Unidos
- Ceremony of Spirit, and Travel to: Laguna Gloria Art Museum, The Mexican Museum, San Francisco, California, Estados Unidos
1994
- Outside the Frame: Performance and the object, Cleveland Center for Contemporary Art, Cleveland, Ohio; Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, Nueva York, Estados Unidos
1993
- In the Ring, Snug Harbor Cultural Center, Staten Island, Nueva York, Estados Unidos
- Whitney Biennal, The Whitney Museum of American Art, Nueva York, Estados Unidos
1992
- The Edge of Childhood, Heckscher Museum, Huntington, Nueva York, Estados Unidos
- The Invention of Childhood, John Michael Kohler Arts Center, Sheboygan, Winsconsin, Estados Unidos
- Américas, Monasterio de Santa Clara, Sevilla, España
- First Invasion: Contemporary Artists of the Caribbean, Galería de la Raza, San Francisco, California, Estados Unidos
1990
- The Decade Show, Museum of Hispanic Art, Nueva York; The New Museum of Contemporary Art, Nueva York; The Studio Museum of Harlem, Nueva York, Estados Unidos
- Off Stage Actitudes: The Visual Arts for Today’s Performance Artists,
- Lincoln Center for the Performing Arts, Nueva York, Estados Unidos
1989
- Día de los muertos II: Los angelitos, Longwood Arts Center, Bronx, Nueva York, Estados Unidos
1987
- The Sculpture Show, Longwood Arts Center, Bronx, Nueva York, Estados Unidos
1986
- CaribbeanAfrican Currents, Museum of Contemporary Hispanic Art, Nueva York, Estados Unidos
1985
- 8 Artistas,Voluntariado de las Casas Reales, Santo Domingo, Republica Dominicana
Premios, Distinciones y Logros
2009
- Premio. Fleisher Art Memorial Founder’s, Filadelfia, Pensilvania, Estados Undios
2008
- Premio. The Smithsonian Legacy Award for the Visual Arts, The Smithsonian Latino Center, Washington DC, Estados Unidos
2001
- Medalla Skowhegan de Escultura. Skowhegan School of Painting and Sculpture, Maine, Estados Unidos
1999
- Beca. MacArthur Foundation, Chicago, Illinois, Estados Unidos
- Premio. Cal Arts Alpert Award for Visual Arts, The California Institute of the Arts, California, Estados Unidos
1996
- Beca. Joan Mitchell Foundation, Nueva York, Estados Unidos
- Premio. Asociación Internacional de Críticos de Arte, Estados Unidos
- Fondo Conmemorativo Lynn Blumenthal, Estados Unidos
1995
- Beca de Escultura para Artistas. New York Foundation For the Arts, Nueva York, Estados Unidos
1993
- Premio Louis Tiffany Comfort, Nueva York, Estados Unidos
- Lila Wallace Arts Partners International Artists Program, Estados Unidos
- Beca Intercultural de Cine y Video. Rockefeller Foundation, Nueva York, Estados Unidos
1990
- Beca. Theater Communication Group and National Endowment for the Arts, Nueva York, Estados Unidos
1988
- Beca de Escultura para Artistas. New York Foundation For the Arts, Nueva York, Estados Unidos
- Beca. Krasner Pollock Foundation, East Hampton, Nueva York, Estados Unidos
- Beca de Escultura. National Endowment for the Arts, Estados Unidos
1985
- Premio. New York Dance and Performance Bessie Award, Nueva York, Estados Unidos
Colecciones
- Museo de Arte de Puerto Rico, San Juan, Puerto Rico
- Museo del Barrio, Nueva York, Estados Unidos
- Rhode Island Scholl of Design, Providence, Rhode Island, Estados Unidos
- The Bronx Museum of the Arts, Bronx, Nueva York, Estados Unidos
- The Brooklyn Museum of Art, Brooklyn, Nueva York, Estados Unidos
- The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, Nueva Jersey, Estados Unidos
- The National Museum of American Art, Washington DC, Estados Unidos
- The Newark Museum, Newark, Nueva Jersey, Estados Unidos
- The Wadsworth Atheneum, Hartford, Connecticut, Estados Unidos
- The Walker Center for The Arts, Minneapolis, Minnesota, Estados Unidos
- The Whitney Museum of American Art, Nueva York, Estados Unidos
Bibliografía
Catálogos
1993 Biennial Exhibition. Essays by Elisabeth Sussman, Thelma Golden, John G. Hanhardt, Lisa Phillips, et. al. New York, NY: Whitney Museum of American Art in association with Harry N. Abrams, Inc., 1993.
27a. Bienal de São Paulo Como Viver Junto. São Paulo, Brazil, 2006.
A Companion to Contemporary Art Since 1945. Edited by Amelia Jones. Malden, MA, Blackwell Publishing Ltd., 2006.
A Creative Legacy: A History of The National Endowment for the Arts Visual Artists' Fellowship Program 1966 – 1995. Edited by Adele Westbrook. Essays by Nancy Princenthal and Jennifer Dowley. New York, NY: Harry N. Abrams, Inc., 2001, p. 192.
Ameri©an Dre@m. New York, NY: Ronald Feldman Fine Arts, 2003.
American Kaleidoscope: Themes and Perspectives in Recent Art, Washington, DC: National Museum of American Art, Smithsonian Institution, 1996.
American Stories: Amidst Displacement and Transformation. Essays by Yukiya Kawaguchi and others. Tokyo, Setagaya Art Museum, 1997.
Art 21: Art in the Twenty-First Century. Introduction by Susan Sollins. New York, NY: Harry Abrams, 2001.
Atlas, Carla. Bridge Conversations: Arts & Democracy, People who live and work in multiple worlds, Pine Lake, GA: Arts & Democracy Project, 2011. pp. 35.
Barreras del Rio, Petra, et al. Con to’ los hierros: A Retrospective of the Work of Pepón Osorio. New York, NY: El Museo del Barrio, 1991.
Bliss, Sharon E, Kevin B. Chen, Steve Dickison. Prison Culture. San Francisco, CA: Intersection for the Arts and San Francisco State Universtiy, 2009, p. 15.
Cogdon, Kristin G. and Kara Kelley Hallmark. Artists from Latin American Cultures: A Biographical Dictionary. Westport, Connecticut: Greenwood Press, 2002, pp. 207-210.
Collins, Judith. Sculpture Today. New York, NY: Phaidon Press. 2007, p. 159.
Do it. Essay by Bruce Altshuler. New York, NY: Independent Curators Incorporated, 1997.
Farthing, Stephen. 501 Great Artists: A Comprehensive Guide to the Giants of the Art World. London, England: Quintessence, 2008, p. 588.
Fiero, Gloria. The Humanistic Tradition. Fourth Edition, Volume Six: Modernism, Globalism, and the Information Age. New York, NY: McGraw-Hill, 2002.
Fusco, Coco. English is Broken Here. The New Press, pp. 89-95.
Gonzales, Jennifer A. Subject to Display, Reframing Race in Contemporary Installation Art, Cambridge, MA: MIT Press, 2009, pp. 163-202.
Heartney, Eleanor. Art & Today. New York, NY: Phaidon Press Inc., 2008, p. 247.
Home Show. Santa Barbara, CA: Santa Barbara Contemporary Arts Forum.
Jones, Kellie. EyeMinded: Living and Writing Contemporary Art. Durham, NC: Duke University Press, 2011. pp. 21, 267, 304, 306-308.
Kohl, MaryAnn F and Kim Solga. Great American Artists For Kids: Hands-On Art Experiences in the Styles of Great American Masters, Bellingham, WA: Bright Ring Publishing, Inc, 2008, p. 115.
Kréyol Factory. Paris, France: Parc La Villette. 2009, pp. 120-121.
Markus, Janet, Melissa Middleton, Kathy Yamashita and Janet Williamson, Art Works. Toronto, Canada: Emon Montgomery Publications, 2011. pp.218.
McDaniel, Craig and Jean Robertson. Themes of Contemporary Art: Visual Art After 1980. New York, NY: Oxford University Press, 2005.
Mosquera, Gerardo. "Latin American Art Ceases to be Latin American Art." in the catalogue for the International Contemporary Art Fair (ARCO), Madrid, Spain: International Contemporary Art Fair, 1997.
Newland, Joseph N. ed. The Skowhegan School of Painting and Scuplture: 60 Years. Waterville, ME: The Colby College Museum of Art, 2006, pp. 70-71.
Off the Record. Brooklyn, New York: The Skylight Gallery, 2003.
Pepón Osorio: Door to Door. Essays by Silvia Karman Cubiñá, Hans-Ulrich Obrist, Marimar Benítez, Dan Cameron, Coco Fusco. San Juan, Puerto Rico: EAP Press, 2000.
Pepón Osorio-Badge of Honor. Essays by Luis Aponte-Parés, Joseph Jacobs and Berta M Sichel. Newark, NJ: The Newark Museum, 1996.
Pew Fellowships in the Arts 2006. Philadelphia Center for the Arts and Heritage, Philadelphia, PA, 2006, pp. 22, 23.
PolyGraphic San Juan Triennial: Latin America and the Caribbean. San Juan, Puerto Rico: Office of The San Juan Triennial, 2005
Public Art by the Book. Edited by Barbara Goldstein. Seattle, WA: University of Washington Press, 2005.
Representing: A Show of Identities, Southampton, NY: The Parrish Art Museum, 2000.
Robertson, Jean and Craig McDaniel. Themes of Contemporary Art: Visual Art after 1980. New York, NY: Oxford University Press, 2010, p. 40.
Robertson, Jean and Craig McDaniel. Themes of Contemporary Art: Visual Art after 1980. Seoul, Korea: Oxford University PressDoosung Publishing Co., Ltd, 2010. p.73.
Roulet, Laura. Contemporary Puerto Rican Installation Art. San Juan, Puerto Rico: University of Puerto Rico, 2000.
Sichel, Berta M. “Medalla de Honor y otras historias.” In catalogue for Museo Nacional Centro de Arte Renia Sofía, espacio uno, Madrid, Spain, 1998.
Somewhere Better Than This Place: Alternative Social Experience in the spaces of Contemporary Art. Essays by Thom Collins and Michel Foucault. Cincinnati, Ohio: Contemporary Arts Center, 2003.
Steele, Christy. Hispanic Culture. Vero Beach, FL: Rourke Publishing LLC, 2006.
Techno-Seduction. New York, NY: Cooper Union, 1997.
Territorio Común Miradas Diversas: Artists plásticos latinoamericanos en el siglo XX. Espacios Union, 2000.
To the Rescue: Eight Artists in an Archive. New York, NY: American Jewish Joint Distribution Committee, 1999.
Urban Mythologies: The Bronx Represented Since the 1960s. Essays by Lydia Yee and Betti-Sue Hertz. Bronx, NY: Bronx Museum of the Arts, 1999.
VI Cuban Bienniale. Essay by Coco Fusco. Havana, Cuba, 1997.
Way, Cynthia. “Pepón Osorio: Drowned in a Glass of Water”. Williamstown, MA: Williams College Museum of Art, July 17-February 6, 2011.
Libros
Hermandad de Artistas Gráficos de Puerto Rico. Puerto Rico Arte e Identidad. San Juan, P.R.: Editorial de la Universidad de Puerto Rico, 1998.
Periódicos
"Getting Deep and Technical with 'State of the Art' Art." The New York Times (Nueva York, EEUU), Sunday, January 12, 1997, p. CY 14.
"Newark Museum opens new exhibit by Pepón Osorio." The Star-Ledger (Nueva Jersey, EEUU), Thursday, June 22, 1995, p. B3.
"Pepón Osorio." The New Yorker LXXII, no. 15, June 10, 1996, illustration 19, p.22.
“Pepón Osorio.” The New Yorker (Nueva York, EEUU), September 30, 2002, p. 28.
“RISD Museum Presents ‘Crisis Response’ Beginning Nov. 8.” Antiques and the Arts Weekly, November 1, 2002.
Abad, Calendonio. "La Guerra de las Nostalgias: Pepón Osorio Con to’ Los Hierros." Claridad En Rojo (San Juan, PR), October 1991.
Benitez, Marimar. "La Estética de Lo Feo en Ocho Artistas de Nueva York." El Nuevo Día (San Juan, PR), July 1981.
Benitez, Marimar. "Las Instalaciones de Osorio." El Nuevo Día (San Juan, PR), August 1982.
Braff, Phyllis. “Three Shows Investigate Provocative Images.” The New York Times (Nueva York, EEUU), March 19, 2000.
Bui, Phong. “In Conversation: Arthur Simms with Phong Bui.” The Brooklyn Rail (Nueva York, EEUU), JulyAugust 2009, pp. 25-27.
Burton, Jazmyn. “Project addresses incarceration through art.” Temple Times, April 26, 2007, p. 8.
Cherson, Samuel B. "El Drama Agridulce de La Emigración." El Nuevo Día (san Juan, PR), May 1990.
Colby, David. “Newark Forges Family Bonds Through The Community Art of Pepón Osorio.” Antiques and The Arts Weekly, July 7, 1995, p. 42.
Colimore, Edward. "Art project helps son, jailed father bond." The Philadelphia Enquirer, Sunday, June 18, 1995.
Cotter, Holland. "In New Jersey, Nature in Abstract and a Prison Cell." The New York Times (Nueva York, EEUU), Friday, July 14, 1995.
Cotter, Holland. “Art Currents Flow Two Ways in Pan-American City, U.S.A.” The New York Times (Nueva York, EEUU), October 16, 2009, p. C23.
Cotter, Holland. “At Fifth Ave. and 104th St., Latino Cultures Intersect.” The New York Times (Nueva York, EEUU), 1995.
Cotter, Holland. “Off the Record.” The New York Times (Nueva York, EEUU), May 16, 2003, p. E36.
Cotter, Holland. “Pepón Osorio ‘Transboricua’.” New York Times (Nueva York, EEUU), July 16, 1999.
Cotter, Holland. “Spiritual Power, No Matter How Humble.” The New York Times (Nueva York, EEUU), Friday, December 26, 2003, p. E45 & E52.
Cotter, Holland. “Urban Mythologies: The Bronx Represented Since the 1960s.” New York Times (Nueva York, EEUU), June 4, 1999.
Cotter, Holland. “Way Up in the Bronx a Hardy Spirit Blooms.” New York Times (Nueva York, EEUU), May 7, 1999, pp. E29, E33.
Crowder, Joan. "You Can't Go 'Home' Again." Santa Barbara News-Press (California, EEUU), April 26, 1996, pp. 7-9.
Douglas, Sarah. “A miracle! Apparently there are no influences on the art of now.” The Art Newspaper, October 2001, p. 41.
Dreyfus, Andrew. "Tour de Fuerza Comes on Strong." Boston Herald, April 1989.
Dukeman, Rachel. “Fleisher Blurs the Borders Around High Art.” The Bulletin, July 8, 2008.
Dunning, Jennifer. "Salute to Hispanic Arts." The New York Times (Nueva York, EEUU), October 1988.
Duran, Estella. "An Artist Whose Creations Live Out Among the People." New York Times (Nueva York, EEUU), July 22, 1999.
Ernst, Eric. “Art That Asks Who We Are.” The Southampton Press, March 30, 2000, pp. B1 and B5.
Genocchio, Benjamin. “Art Review; Puerto Rican Artists, Yes, but With a Global Vision.” Connecticut Weekly Desk, Sunday, June 13, 2004, p.12.
Genzlinger, Neil. “First-Person Reports From Art’s Cutting Edge.” The New York Times (Nueva York, EEUU), September 20, 2001, p. E5.
Gonzalez, Carolina. “Granted, he’s a genius but artist shies from saying so.” Daily News, June 26, 1999, p. 25.
Gross, Matt. “A Cheap Room Puts Old San Juan Within Reach.” The New York Times (Nueva York, EEUU), April 15, 2007, pp. 5, 10.
Halperen, Max. “Frenetic visions.” The News and Observer (Raleigh, North Carolina), June 30, 2000, p. 20.
Harrison, Helen A. “Images That Burst From the Frame.” The New York Times (Nueva York, EEUU), Sunday, April 4, 2004, p. LI 10.
Henn, Jennifer L. “Artist Joins In Students’ Search For Their Identities.” The Southampton Press (Nueva York, EEUU), January 3, 2000.
Homar, Susan. "Latino Movement Takes the Stage." The San Juan Star (San Juan, PR), November 1988.
Irvine, Madeline. "So Many Galleries." Austin American Statesman (Austin, TX), June 20, 1996, pp. 42-43.
Jefferson, Margo. “When Nothing Gets Between Art and Its Viewer.” New York Times (Nueva York, EEUU), October 4, 1999, p. E2.
Johnson, Ken. “From Central Park to Outer Space.” The New York Times (Nueva York, EEUU), September 12, 2004.
Johnson, Ken. “Pepón Osorio.” New York Times (Nueva York, EEUU), October 1, 1999, p. E36.
Johnson, Ken. “What is Printmaking today? Philadelphia dares to ask.” The New York Times (Nueva York, EEUU), February 5, 2010, p.C28.
Jowitt, Deborah. "Latin Spirit." The Village Voice, November 1988.
Katz, Carissa. “An Exploration Of ‘Identities’.” The East Hampton Star, March 2, 2000, pp. III-1 and III-4.
Keedle, Jayne. "The Barber of Parkville." Hartford Advocate, July 1994.
Kimmelman, Michael. “When Artists Dress Up Modern Jewish History.” New York Times (Nueva York, EEUU), February 26, 1999, pp. E37, E44.
Kukla, Barbara. "Osorio's 'Badge of Honor' Mixed-media work reflects dilemmas in North Ward." The Star-Ledger (Nueva Jersey, EEUU), Monday, December 18, 1995.
Levin, Kim. "Lincoln Censor." The Village Voice, July 1990.
Levin, Kim. "Pepón Osorio." The Village Voice, May 7, 1996, p. 8.
Lewis, Jo Ann. "'Kaleidoscope', Pieces of a Dream." The Washington Post, Thursday, October 10, 1996, pp. D1, D8.
MacFarquhar, Neil. “32 Receive Grants from MacArthur Foundation.” New York Times (Nueva York, EEUU), June 23, 1999, p. A15.
Mandell, Jonathan. "Extravagance and Sadness: The Nuyorican Art of Pepón Osorio." New York Newsday (Nueva York, EEUU), June 20, 1992, pp. 68-69.
Martínez, Luz. “El genio de Pepón.” El diario, July 1, 1999, pp. 24-25.
Méndez, Juan. “‘Genio’ puertorriqueño gana beca MacArthur.” El diario (Nueva York, EEUU), June 24, 1999, p. 2.
O’Sullivan, Michael. “1,300 Snapshots, One Surreal Show.” The Washington Post Weekend, November 17, 2000, p. 66.
Otterbein, Holly. “Philagrafika 2010 Our picks for this year’s fest.” Philadelphia City Paper (Philadelphia, EEUU), January 26, 2010, p.1.
Raven, Arlene. "Pull Out All the Stops." The Village Voice, June 1991.
Raven, Arlene. "Suffer the Little Children." The Village Voice, October 1989.
Rhor, Monica. “Out of Ordinary Interiors, Pepón Osorio makes extraordinary art.” Philadelphia Inquirer, February 27, 2000.
Rivera, Joaquin Felix. "Combinación Boricua en el Whitney." El Nuevo Día (San Juan, PR), December 1987.
Rivera, Joaquín Felix. "De Como Más es Mejor." Claridad, En Rojo, (San Juan, PR), July 1991).
Rivera, Joaquin Felix. "Toda La Yoyonería Posible." El Nuevo Día (San Juan, PR), September 1987.
Rubiano, Dora. "Pepón Osorio: Un Puertorriqueno en Nueva York." El DiarioLa Prensa (Nueva York, EEUU), May 14, 1991.
Rubiano, Dora. "Un Artista Informalista." El DiarioLa Prensa (Nueva York, EEUU), June 1982.
Russell, John. "Always Something New in This Mexico City Museum." The New York Times (Nueva York, EEUU), December 10, 1997, p. E2.
Schwendender, Martha. “Melvin Martinez: Fresh Paint.” The New York Times (Nueva York, EEUU), June 22, 2007, p. E36.
Schwendener, Martha. “Agitprop Tactics, Spoofs and Semantics in the Bronx.” The New York Times (Nueva York, EEUU), Thursday, January 4, 2007, p. E7.
Seremet, Patricia. "City barbershop on cutting edge of Art." The Hartford Courant (Connecticut, EEUU), July 1994.
Shaw-Eagle, Joanna. "'Kaleidoscope' Full of Passion." Metropolitan Times, Wednesday, October 9, 1996, p. C9.
Shugold, Marc. "Broken Hearts: Views Puerto Rican Soul." Rocky Mountain News, July 1991.
Sichel, Berta. "Nova arte altera relacoes entre paises." O Estado de Sao Paulo, Sunday, November 5, 1995, p. D3.
Smith, Roberta. "Pepón Osorio: A Retrospective." The New York Times (Nueva York, EEUU), July 1991.
Smith, Roberta. “Pepón Osorio.” The New York Times (Nueva York, EEUU), October 11, 2002, p. E38.
Szanto, Andras. “A Business Built on the Hard-to-Sell.” The New York Times (Nueva York, EEUU), October 6, 2002, pp. AR 35, 37.
Torregrosa, Luisita Lopez. “Puerto Rican Art Moves Outward, And More Inward.” The New York Times (Nueva York, EEUU), March 11, 2001, p. AR33.
Tsao, Emily. "Artist's barbershop explores machismo in Latin culture." The San Juan Star (San Juan, PR), August 1994.
Ubinas, Helen. "Community feels the impact of La Barberia." The Hartford Courant (Connecticut, EEUU), September 1994.
Ubinas, Helen. "From the Barber's Chair, a look at Machismo in Latino Culture." The Hartford Courant (Connecticut, EEUU), June 23, 1994.
Ubinas, Helen. "The Art of Being Macho." The Hartford Courant (Connecticut, EEUU), July 15, 1994, pp. B1, 5.
Waldman, Amy. "Rubble to Rebirth: Tales of the Bronx." The New York Times (Nueva York, EEUU), April 7, 1999, pp. E1, E4.
Wallach, Amei. "No Rest for Weary Minds." New York Newsday, July 1990.
Wallach, Amei. "Roving Taxis With a Message Told Through Art." The New York Times (Nueva York, EEUU), Sunday, February 16, 1997, p. H-40.
Wallach, Amei. “The Impenetrable That Leads to the Sublime.” The New York Times (Nueva York, EEUU), January 7, 2001, pp. AR 37 and 41.
Watkins, Eileen. "Artist's project focuses on family separation." The Star-Ledger (Nueva Jersey, EEUU), July 28, 1995.
Wilson, William. "Two-Room Installation Hits Home With Emotion." Los Angeles Times (California, EEUU), August 2, 1997, pp. F2, F12.
Zimmer, William. "A Meditation on Masculinity Wrapped Up in a Barbershop." The New York Times (Nueva York, EEUU), August 14, 1994.
Revistas
"Artworld: Grants and Awards." Art in America 85, no. 3, March 1997, p.128.
"Critic's Picks." Time Out: New York, no. 32, May 1-8, 1996, p. 24.
"Navigation." Grand Street 61 16, no. 1, Summer 1997, pp.208-17.
“Art on the Airwaves.” Art in America, no. 9, September 2001, p.35.
“News Briefs.” ARTnews 100, no. 5, May 2001, p.82.
“Noticias del Arte Latinoamericano.” Arte Latinoamericano, no. 3, agosto a diciembre de 2002, p.86.
“PBS Special Features Artist Pepón Osorio ‘78.” Lehman Lightning, Fall 2001, p.13.
“Pepón Osorio.” Time Out New York, no. 364, September 19-26, 2002, p.105.
“Reviews.” NYArts 4, no.10, October 1999, p.71.
“The Short List: Philagrafika.” Art in America 98, no. 1, January 2010, p.28.
“Urban Renewal.” Museums New York 7, no. 3, Summer 2001, p.20.
1986 Gautier, Roberto. "Performance Potpourri." High Performance, Spring 1986.
1988 Acocella, Joan. "Loisada Story." 7 days, November 1988.
1989 Cadet, Nancy. "Tour de Fuerza." High Performance 12, no. 1, Spring 1989.
1996 Angeline, John. “Pepón Osorio.” Art Nexus no. 19, January-March 1996), pp. 122-123.
1998 Benítez, Marimar. “Neurotic Imperatives: Contemporary Art from Puerto Rico.” Art Journal 57, no. 4, Winter 1998, pp.74-85.
Acevedo, Alejandro. "Cien por ciento Boricua." Escala, January 1995.
Acocella, Joan. "Plastic Heaven." Artforum, January 1992, pp.64-67.
Ashford, Doug. “Off the Record.” Time Out New York no. 399, May 22 – May 29, 2003, p. 75.
Batet, Janet. “International Triennial of Caribbean Art: Art, Environment and Identity.” ArtNexus, 9, No. 79, December 2010 - February 2011, pp. 152 - 154.
Beckman, Karen. “When Video Does Foster Care: Pepón Osorio’s Trials and Turbulence.” Grey Room 1, no. 19, April 2005, pp. 80-101.
Blatherwick, David. "Pepón Osorio." Parachute 85, (Montreal, Canada), January, February, March 1997, p. 65-66.
Borum, Jennifer P. "Pepón Osorio." Artforum, November 1991, pp.138-39.
Brock, Hovey. "Pepón Osorio." ARTnews 90, October 1991, pp.136.
Bujan, Juan. "Pepón Osorio: Otras Voces, Otros Ambientes." La Voz Hispana, May 1981.
Cameron, Dan. "Glocal Warming." Artforum XXXVI, no. 4, December 1997, pp.17-22, 130.
Cameron, Dan. “Best of the ‘90s.” ArtForum 38, no. 4, December 1999, pp.132-133.
Camhi, Leslie. “Pepón Osorio.” The Village Voice, October 16-22, 2002, p. 72.
Camhi, Leslie. “Pepón Osorio.” The Village Voice, September 4-10, 2002.
Casas, Rafael Diaz. “Pepón Osorio”. ArtNexus,10, no. 83, 2011. pp. 122-23.
Cash, Stephanie and David Ebony. “Artworld.” Art in America 89, no. 4, April 2001, p.158.
Castro, Anthony. "'InsideOut'." Tribeca 75, (Paris), Summer 1996, p. 51.
Cembalest, Robin. “Brave New World.” ARTnews,111, no. 6, June 2012, pp. 34 - 35.
Cherubini, Nicole. “Top Ten.” Artforum XLVII, no. 3, November 2008, pp. 181-82.
Coghlan, Niamh. “A Year to Remember.” Aesthetica, no. 52, April May 2013, pp.70-75.
Costa, Eduardo. “Report From Havana: The Installation Biennial.” Art in America 86, no. 3, March 1998, pp.50-57.
Day, Carol. “New York Genius at Work.” Daily News, June 27, 1999, p. 28.
Demos, T.J. “Pepón Osorio.” Artforum XLIII, January 2005, p.186.
Fornia, Greg. “The Stories We Tell, the Things We Make, the Family We Hold On To.” Temple Review 63, no. 1, Fall 2009, p.27-29.
Fuentes, Elvis. “Flight San Juan – Philadelphia Passenger: Philagrafika 2010.” Art Nexus, vol. 9, no. 77, June-August 2010, pp.70-73.
Fusco, Coco. "Vernacular Memories." Art in America 79, December 1991, pp.98-103, 133.
Gautier, Roberto. "Politics in Motion." Contemporánea, September 1990.
Giroux, Henry A. "Art, Education, and Memory." Sculpture 16, no. 3, March 1997, pp.32-35.
Gonzales, Jennifer. “Pepón Osorio.” Bomb no. 82, Winter 20022003, pp. 8-10.
Hass, Nancy. "The Secret of His Excess." ARTNews 98, no.6, June 1999, pp. 96-99.
Haye, Christina. "Spin City: Christina Haye on the Istanbul, Johannesburg and Kwangju Bienales." frieze no. 38, January - February 1998, pp.48-51.
Heartney, Eleanor. “Between Horror and Hope.” Art in America, November 1999, pp. 75-79.
Heartney, Eleanor. “Speaking for Themselves.” Art in America 90, no. 2, February 2002, pp.53-55.
Herzberg, Julia A. “Pepón Osorio: Redefining the Boundaries for Installation Art.” ArtNexus 36, May-July 2000, pp.56-63.
Husband, Bertha. “A Painting for Over the Sofa (That’s Not Necessarily a Painting).” Art Papers Magazine 26, no. 6, NovemberDecember 2002, pp.44-45.
Indych, Anna. "Pepón Osorio: Más is More." Grand Street 62 16, no. 2, Fall 1997, pp.112-117.
Indych, Anna. “Nuyorican Baroque: Pepón Osorio’s Chucherías.” Art Journal 60, no. 1, Spring 2001, pp. 72-83.
Jana, Reena. “Six Artists from San Juan.” ARTnews 100, no. 5, May 2001, p.190.
Kartofel, Graciela. “Pepón Osorio.” Art Nexus 1, no. 47, 2003, pp.132-33.
Leffingwell, Edward. “Pepón Osorio at Ronald Feldman.” Art in America, November 1999, p.139.
Levin, Kim and Vince Aletti. "Our Biennial." The Village Voice XLII, no. 3, January 21, 1997, p. 85.
Levin, Kim. “Crossing the Line.” Village Voice, August 14, 2001, p. 108.
Levin, Kim. “Pepón Osorio”. ARTnews 111, no. 1, January 2012, p.109.
Lezama, Manuel Alvarez. “Pepon Osorio.” Art Nexus, no. 39, February-April 2001, pp.144-45.
Lopez, Ana Tiffany. "Imaging Community, Video in the Installation Work of Pepón Osorio." College Art Journal (Winter 1995).
Lovelace, Carey. "Havana Biennial." ARTnews 96, no. 8, September 1997, pp.142-43.
Lovelace, Carey. “Bringing It All Back Home.” Artforum XLV, no. 3, November 2006, pp.61-62
Lovelace, Carey. “Remembering Arlene Raven.” art on paper 11, no. 2, NovemberDecember 2006, pp.18-20.
Mandelbaum, Audrey. "Staking a Common Ground." New Art Examiner 24, no. 2, October 1996, pp.14-19.
Markus, David. “Facing Off with the New World Order.” NY Arts Magazine 10, no. 12, JanuaryFebruary 2005, pp.7-9.
Melkisethian, Angela. “Pepón Osorio.” Sculpture 23, no. 2, March 2004, p. 26.
Miranda, Carolina A. “Turning Brick into Glass.” ArtNews 108, no 9, October 2009, p.64.
Mitchell, Charles Dee.”Faith-Based Initiatives.” Art in America 95, no. 10, November 2008, pp. 136-41.
Morgan, Robert C. "Kitsch Today." Art Press 217, October 1996, pp.27-33.
Morgan, Robert C. "Pepón Osorio, Badge of Honor." Time Out: New York, no. 34, May 15-22, 1996, p.23.
Nassau, Lawrence. “Las Twines, Pepón Osorio.” NYArts no. 25, October 1998, p.11.
Nelson, Steven. “Short Circuits.” Art Journal 69, no. I-2, Spring-Summer 2010, pp. 96-99.
Newhall, Edith. “Pepón Osorio.” ARTnews 104, no. 1, January 2005), p.131.
no. 4, April 2013), pp. 90 - 91.
Oguibe, Olu. "Olu Oguibe On Pepón Osorio's New Installation." Journal of Contemporary African Art, FallWinter 1996, pp.10-11.
Olalquiades, Celeste. "Pepón Osorio." MAS, 1989.
Ollman, Leah. “Losing Ground: Public Art at the Border.” Art in America 89, no. 5, May 2001, pp. 69-71.
Palmer, Laurie. "Sculpture Chicago 9596." frieze 30, September 1996, p.83.
Plagens, Peter. “Art Sweepstakes.” Art in America 96, no.3, March 2008, p. 43.
Pollack, Barbara. “’NYC 1993: Experimental Jet Set, Trash and No Star.’’ ARTnews 112,
Potter, Maximillian. “Yes, We Have Pepón.” Philadelphia, November 1999, p.23.
Pre-1986
Ramirez, Yasmin. “Latino Art Crossing Borders.” For Your Information 17, no. 2, Summer 2001, p.5.
Reid, Calvin. “How We Got to Now.” The International Review of African American Art 16 no. 4, Spring 2000, pp.16-31.
Reisman, David. "Pepón Osorio: 'Badge of Honor'." Texte zur Kunst 6, no. 24, November 1996, pp.171-74.
Rowlands, Penelope. "San Francisco: Renovation and Innovation." Artnews 96, no. 2, February 1997, p. 55.
Saltz, Jerry. “On ‘93 in Art” from “Are We Still Living in 1993?” New York Magazine, February 13, 2013, pp. 28-37.
Sandia, Robert. "Talking Pictures." 7 days, March 1988.
Schlesinger, Toni. “Shelter.” The Village Voice, May 21-27, 2003, p. 18.
Schultz, Charles Marshall. “Pepón Osorio: Ronald Feldman.” Art in America, no. 10, November 2011), p. 170.
Sichel, Berta. "No Crying Allowed." High Performance (Contemporary Issue in Art and Culture).
Sichel, Berta. "No Crying Allowed." High Performance, Winter 1994, pp.46-47.
Sichel, Berta. "Pepón Osorio." Art Nexus, January 1995.
Sichel, Berta. "Pepón Osorio: Interviewed by Berta Sichel." Atlántica, No. 12, Winter 1995-96, pp.37-43, 138-43.
Sichel, Berta. “Millions of Colors.” Afterimage, JanuaryFebruary 2000, p.18.
Sichel, Berta. “Pepón Osorio.” Flash Art XXVIII, no. 185, November-December 1995, p.118.
Sirmans, Franklin. “Pepón Osorio.” TimeOut New York 212, October 14-21 1999, p. 67.
Stager, Steve. "A Latino barbershop a la Osorio." Journal Inquirer, July 1994.
Sussman, Elizabeth. “Then and Now: Whitney Biennial 1993.” Art Journal 64, no. 1, Spring 2005, pp. 74-79.
Thompson, Adam. “Pepón Osorio.” Art Papers 30, no. 2, MarchApril 2006, p. 65.
Turner, Gary. “HotSpots: South Florida.” Art Papers 25, no. 4, JulyAugust 2001, pp.28-29.
Ubinas, Helen. "Crying Games." Northeast Magazine, August 1994.
Utter, Douglas. "Scene of the crime, whose crime?" New Art Examiner, December 1993, pp.35-36.
Venegas, Haydee. “The New Museum of Art of Puerto Rico.” ARCO, no. 22, October 2001, pp.84-85.
Vine, Richard. "Pepón Osorio at 33 Broadway and the Newark Museum." Art in America, December 1995, p.98.
Wool, Andrea. “New Land Marks in Philadelphia.” NY Arts 6, no. 3, March 2001, p.67.
Ysla, Nelson Herrera. “Image and Text in Latin America Art.” ArtNexus 10, no. 82, September - November 2011, pp.160-162.
Ziolkowski, Thad. "Pepón Osorio." Artforum XXXV, no. 3, November 1996, pp.97-98.
Web
Chayka, Kyle. “Photo Preview: ‘NYC 1993’ at the New Museum.” Hyperallergic. February 13, 2013. http:hyperallergic.com65149photo-preview-nyc-1993-at-the-new-museum
Cotter, Holland. “A Time of Danger and Pain, Two Long Decades Ago: ‘NYC 1993’
Exhibition at New Museum.” The New York Times (Nueva York, EEUU), February 14, 2013.
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De Jesus, Carlos Suarez. “Bernice Steinbaum, Miami Art Matron, Departs”.
MiamiNewTimes.com, June 21, 2012. http:www.miaminewtimes.com2012-06-21culturebernice-steinbaum-miami-art-m...
“2 Reasons to Love New England in the Fall.” FoxNews.com, October 01, 2011. http:www.foxnews.comtravel201110012-reasons-to-love-new-england-in-fall.
Kirsh, Andrea. “Martha Wilson, Nick Cave and Pepón Osorio in New York City.” theartblog.com, September 27, 2011 http:theartblog.org201109martha-wilson-nick-cave-and-pepon-osorio-in-new...
Caparella, Kitty. “It’s where to hang: PHILAGRAfiKA 2010 showcases cutting-edge prints.” Philly.com, Friday January 29, 2010, http:www.philly.comphillyentertainment20100129_It_s_where_to_hang__PHILA...
Crimmins, Peter. “Nothing virtual about Philagrafika arts festival.” Whyy.org, Thursday January 28th, 2010, http:whyy.orgcmsnewsarts-entertainment-sports20100128nothing-virtual-phi...
Freudenheim, Tom L.”They Mingled in the Metropolis.” The Wall Street Journal Online, February 3, 2010, http:online.wsj.comarticleSB10001424052748703906204575027601540452676.ht...
McQuaid, Cate. “How the Other Half Lives: Two Homes, Two Communities Go On Display In Williams College Exhibit.” The Boston Globe Online, October 3, 2010. http:www.boston.comaetheater_artsarticles20101003pepn_osorios_williams_c...
Sozanski, Edward. “Art: Philagrafika: Varied impressions.” Philly.com, Sunday, February 2010, http:www.philly.comphillyentertainment20100214_Art__Philagrafika__Varied...
Rosof, Libby. “Pepón Osorio’s big heart.” The Art Blog, May29, 2009.
Britt, Douglas. “NeoHooDoo.” Houston Chronicle (Houston, EEUU), June 20, 2008, http:www.chron.comdispstory.mplentartstheater5848053.html.
Mesa-Bains, Amalia and Pepón Osorio. “The Practices and Pedagogy of Pepón Osorio.” Community Arts Network: Reading Room (October 2008): http:www.communityarts.netreadingroomarchivefiles200810the_practices_a.p...
Wood, Randy. “The Armory Show.” The Tablet Newspaper, April 10, 2003. http:www.tabletnewspaper.comarts65_feat_armoryshow.html.
Goddard, Donald. “Pepon Osorio.” http:www.newyorkartworld.comreviewsorsorio.html.
Heartney, Eleanor. “Crystal-Ball Gazing Into the New Millennium.” Nextmonet.com, http:www.nextmonet.net.
Henry, Max. “Gotham Dispatch- Heart of Darkness.” Artnet.com magazine, www.artnet.commagazinereviewshenryhenry-10-07-1999.html.
Iervolino, Bobbi. “Artist Pepón Osorio speaks at RISD about his latest work.” Herald Sphere, www.theherald.org, March 3, 1999.
"To the Rescue: Eight Artists in an Archive." http:www.jdc.orgnewsicp.htm, April 6, 1999.
Ward, Sarah. "Review - Pepón Osorio, 'Badge of Honor', at Ronald Feldman Fine Arts." Art in Context, WebsiteOnline Journal, April 25-June 1, 1996.
Video
“Art 21: Art in the Twenty-First Century”, PBS, 2